Tag: editing

  • Listen Carefully, Your Manuscript Stinks

    Your manuscript doesn’t speak English. (Or American. Or Australian. Or Esperanto. Or whatever you call your native tongue.) It speaks Manuscript. This is why all the threats you sling at it in your native tongue go unheeded. (Well, that, and the fact that it doesn’t like being threatened. It can read your tone even if…

  • When to Ignore Your Editor

    I’m not a member of any elite editorial clubs. I don’t dine with editors who have touched the Manuscripts of the Gods. I don’t have an MFA or a PhD or a WtF in Writing/Editing/Pontificating. I don’t play tambourine in an all-editorial band and I haven’t been contacted by the The Wall Street Journal or…

  • A Day in the Life of a Freelance Editor

    You might think what a freelance editor does all day is worthy of a blog post. That would be a classic example of wrong thinking. But for the sake of filling this space I’m going to tell you anyway and since I just established that a freelance editor’s day isn’t all that interesting, some of…

  • How To Be a Good Editor

    Ever wanted to be an editor? No? That’s probably wise. But just in case all your other options suddenly fall through (ie: the bowling alley installs an automatic pinsetter, the crash test dummy program stops accepting applications from humans, the professional dog walker eliminates her “Assistant Dog Walker In Charge Solely of Scooping Poop” position),…

  • The Editor’s Hat – 11 Tips for Your Second Draft

    Your first draft is done. Wait, it’s not? Then go away and don’t come back until it is. This is not the post you’re looking for. The rest of you can stay, but only if you promise not to make fun of the people who aren’t finished with their first drafts yet. Because you were…

  • The Blank Page

    The blank page strikes fear into writers, but too often for the wrong reason. These writers (perhaps you?) see it as something to fill with cleverness and excellence that will excite the senses and convert the masses. They consider it a space to stuff with characters and plots and subplots and twists and tension and…

  • You

    Sit down. No, you’re not in trouble. This isn’t about dangling too many participles or ending sentences with prepositions. It’s not about your premise or your plot. It’s not about your characters (they’re all really very lovely). And it’s not about your craft. You want what? A drink? Sure. What would you like? I have…